Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
First, an alert to film buffs. Anyone schooled in the stylistic manners of Korngold, Steiner or Alfred Newman will likely...
Reviewed in issue 3/1998
The Spanish treasure their composers. Though remembered predominantly for his theatrical works, Ruperto Chapí was honoured a few years ago...
Reviewed by Andrew Lamb in issue: 8/2009
Unlike many showcase CDs for famous singers, this one has been carefully planned to demonstrate Terfel’s many-faceted gifts as a...
Reviewed by Alan Blyth in issue: 13/2006
Is there a wholly satisfying recording of the Op 25 Chopin Etudes? If so, this is not it. Frederic Chiu,...
Reviewed by Jeremy Nicholas in issue: 13/2004
Granados’s Spanish Dances are arguably analogous to Chopin’s Mazurkas – a flattering description, no doubt (Granados wrote only 12 against...
Reviewed by Bryce Morrison in issue: 4/1999
Fourteen routes partially abandoned, all of them worth exploring. Bartok himself admitted that his Bagatelles (1908) were largely experimental, and...
Reviewed in issue 1/1994
This delightful album chronicles an encounter between giants. Kronos, postmodern chamber-music champions, meet Bhosle, the most prolific recording artist ever…a...
Reviewed by bwitherden in issue: 13/2005
The intensely conservative musical language adopted by Penderecki for his setting of the Te Deum (1980) might be fitting, given...
Reviewed by Arnold Whittall in issue: 13/2007
In the April 1988 issue of Gramophone I traced a recorded history of the Liszt Sonata, lamenting the absence from...
Reviewed by Bryce Morrison in issue: 7/1992
Economy of means, searching expression and communicative flair are the hallmarks of William Alwyn’s Twelve Preludes, a 25-minute cycle composed...
Reviewed by Andrew Achenbach in issue: 11/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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