Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Only the most exalted comparisons will do for Stephen Hough’s latest disc, and even they are struggling to compete. Not...
Reviewed by David Fanning in issue: 4/1997
It seems like this is a new era in which every singer of repute must do a Handel album. Few...
Reviewed by David Vickers in issue: 9/2007
As a collection, the songs on the first side are too pink and sky blue, too unvaryingly pretty. Interest and...
Reviewed in issue 5/1985
Though the Mozarteum Orchestra uses modern instruments (keening valveless brass apart), this Creation is close in style, scale and transparency...
Reviewed by Richard Wigmore in issue: 8/2007
The insert-note here relates the remarkable story that Barbirolli, stepping off the boat-train at 11 o'clock one morning in 1935...
Reviewed by Lionel Salter in issue: 5/1992
Despite the best endeavours of record producers and performers, Samuel Barber is still a 'one-work' composer in the minds of...
Reviewed by Marc Rochester in issue: 11/1993
There is a tendency, I fear, for some lovers of Delius's music to keep looking back to great artists of...
Reviewed in issue 7/1987
Caro Giovanni: ever-welcome to those for whom his records have meant something special over a period of time longer than...
Reviewed in issue 3/1993
Accomplished though the Festetics Quartet are, I don't feel they quite have the measure of either of these works. In...
Reviewed by Richard Wigmore in issue: 11/1995
As the heading above indicates, this performance of the Sinfonia domestica is already available as part of DG's collection of...
Reviewed in issue 7/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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