Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Barber’s Agnus Dei is none other than our old friend, the Adagio (the present a cappella arrangement dates from 1967)....
Reviewed by Andrew Achenbach in issue: 8/1998
Perhaps to some listeners this reprise of Terry Riley and Stefano Scodanibbio’s initial 1997 encounter, entitled Lazy Afternoon Among the...
Reviewed by K Smith in issue: 11/2005
Cast in four linked movements and held together by a motto theme which also appears in the 1917 tone-poem November...
Reviewed by Andrew Achenbach in issue: 1/2008
The best thing on this disc is the performance of Le merle noir, thrown off with splendid vigour and virtuosity...
Reviewed by rnichols in issue: 7/2004
At its superbargain price‚ this first batch of titles will surely attract many a firsttime buyer. Time has not been...
Reviewed in issue 13/2001
Eric Parkin has often given us valuable access to out-of-the-way piano repertory that doesn't deserve to be out of the...
Reviewed by Christopher Headington in issue: 10/1991
If you want to know the difference between a star and a mere talent look no further. In this 1983...
Reviewed in issue 9/2001
What a rich harvest of Barber we have had this year. Following up DG's collected edition of the songs, with...
Reviewed by Edward Greenfield in issue: 10/1994
Michael Oliver's recommendation for Andre Previn's CD recording of Debussy's La mer and Nocturnes remains unaffected by these latest issues....
Reviewed by Ivan March in issue: 9/1985
According to the publicity‚ the Black Box iClassics range combines worldclass recording with worldwide content. The discs may play like...
Reviewed in issue 9/2001
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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