Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The under-playing and under-conducting which JW noted in the present performers' recording of Rimsky-Korsakov's Second Symphony (Philips 9500 971, 3/83)...
Reviewed by Lionel Salter in issue: 12/1983
This coupling of Concertos Nos. 2 and 3, which completes Stephen Kovacevich's Beethoven piano concerto cycle with the Australian Chamber...
Reviewed by Edward Greenfield in issue: 11/1992
These two discs of Shakespearean Verdi offer an interesting contrast in approach. Graham Vick’s Falstaff, which launched the renovated Covent...
Reviewed in issue 6/2001
The string quartets, from Yggdrasil (7/95), led us in gently; the Saga Symphony (3/96) pounded the world of Jon Leifs...
Reviewed by hfinch in issue: 5/1996
The Mozart Complete Edition from Philips continues here with a mixture of the familiar and the very unfamiliar from the...
Reviewed by Christopher Headington in issue: 9/1991
Davis's performances of Berlioz remain among the finest of our time, and in days when there was still a cause...
Reviewed by John Warrack in issue: 10/1994
Beethoven’s ten violin sonatas span the period from 1797-1812, and the G major work ending the series (which he evidently...
Reviewed by Christopher Headington in issue: 1/1996
Stefano Landi gets a place in the history books with his opera Sant’Alessio, staged in Rome around 1631. La morte...
Reviewed by Richard Lawrence in issue: 10/2007
I'm sure many people will be as surprised as I was to be given Debussy by Paul Badura-Skoda, someone more...
Reviewed by Joan Chissell in issue: 4/1991
No‚ I hadn’t heard of her before‚ either‚ but on opening my copy of Fauré’s Nocturnes I noticed that ‘G...
Reviewed by Michael Oliver in issue: 8/2002
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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