Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Since Dvorak was himself a violinist (and violist), it is no surprise that he wrote affectionately and idiomatically for the...
Reviewed by Christopher Headington in issue: 4/1993
It took wild horses to drag Curzon into the studio, at least in his last years, and he was an...
Reviewed by Stephen Plaistow in issue: 7/1996
Geoffrey Burgon’s most appealing score adds a further dimension to Granada Television’s portrayal of the earlier Galsworthy novels‚ enhancing the...
Reviewed in issue 8/2002
Paul Daniel and Bryn Terfel ensure that this is one of the most dramatic performances of the oratorio on disc,...
Reviewed by Alan Blyth in issue: 9/1997
In common with his distinguished compatriots Moiseiwitsch, Horowitz, Richter and Gilels, Evgeny Kissin places Schumann at the heart of his...
Reviewed by Bryce Morrison in issue: 11/2002
I wrote about Abbado's admirably judicious reading of the Seventh Symphony in March. The CD enhances one's pleasure in the...
Reviewed by Richard Osborne in issue: 3/1985
Around a quarter of a century ago the Emersons recorded Dvorák’s American Quartet for “Book of the Month Club”, a...
Reviewed by Rob Cowan in issue: 8/2010
I had hoped for more. A fine modern version of Ibert's Escales would have been most welcome. This new one...
Reviewed by John Steane in issue: 9/1990
The recent DVD-Video of a cut version of this charming opera (BBC/Opus Arte 6/03) has reminded us what gains there...
Reviewed by Edward Greenfield in issue: 13/2003
There will be a widespread welcome for the CD transfer of this famous 1967 performance of Mahler's Ninth Symphony. The...
Reviewed in issue 1/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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