Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This recording was first issued on two records with a short unimportant fill-up. It is now on one, and the...
Reviewed in issue 10/1986
The title refers to a group of strangely shaped rocks projecting from the Vltava, according to legend set there by...
Reviewed by John Warrack in issue: 11/1995
Ethel Smyth gave up writing piano music at the age of 22, but what we have here is by no...
Reviewed by Michael Oliver in issue: 3/1996
Judging by the photograph in the booklet, Anne Gastinel is quite youthful, yet remarkably, no information about her is provided....
Reviewed by Ivan March in issue: 2/1996
Not Edinburgh but the much smaller Cripplegate, London, and the first recording of its new Mander East organ on which...
Reviewed by Jeremy Nicholas in issue: 9/2009
This invaluable disc rounds off Jordi Masó’s cycle of Mompou’s piano music with previously undiscovered pieces. Invaluable not only for...
Reviewed by Bryce Morrison in issue: 10/2011
The story has already been told of how this sleeping Brunnhilde of a performance has been awakened by the persistent...
Reviewed by Alan Blyth in issue: 10/1999
Early in 2004 two different recordings of the Machaut motets came out: one was by the Hilliard Ensemble (ECM, 5/04),...
Reviewed by David Fallows in issue: 13/2011
Sydney harbour‚ Jørn Utzon’s opera house‚ a coolly spacious interior‚ expectation in the air and then – what a pleasant...
Reviewed in issue 2/2002
I am unclear why ICA Classics say these performances are released on DVD “for the first time.” The Mozart has...
Reviewed by Jeremy Nicholas in issue: 9/2011
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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