Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Both of these cycles are finely written settings of poems for which the composer had a special affection, and they...
Reviewed in issue 6/1994
In Leonhardt's programme two 'abstract' works (BWV913 and 533) frame a variety of chorale arrangements, the main-frame of which is...
Reviewed by John Duarte in issue: 12/1990
Bach’s Trio Sonatas are, in many organists’ minds, all about co-ordination. Certainly nowhere else in the entire repertoire is one...
Reviewed by Marc Rochester in issue: 7/1996
The new disc celebrates Tamas Vasary's debut on record as a symphonic conductor, and it seems to me a great...
Reviewed in issue 12/1989
Debussy’s 12 Etudes are surely the ultimate example of the genre. Chopin’s mastery notwithstanding, no composer has turned the severest...
Reviewed by Bryce Morrison in issue: 10/1997
The versions of Antar listed for comparison above come in sets of Rimsky-Korsakov's three symphonies; and if Antar alone is...
Reviewed by John Warrack in issue: 9/1990
It is not easy to see the reasoning here. The Sibelius Seventh could surely have been better accommodated alongside, say,...
Reviewed by Robert Layton in issue: 10/1996
Few composers have written as rewardingly for the oboe as Telemann so it is surprising that until now no artist...
Reviewed by Nicholas Anderson in issue: 4/1993
It is astonishing that we should have two recordings within the course of a year of a hitherto little-known and...
Reviewed by Richard Osborne in issue: 1/1996
Here is another example of a fairly enticing full-price CD, which contains interesting repertoire, but simply not enough of it....
Reviewed by Ivan March in issue: 8/1987
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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