Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It seems to be the year for Mendelssohn trios: the fine Florestan recording set the level, followed by the recent...
Reviewed by Harriet Smith in issue: 11/2006
This Schiff/Masur performance of Don Quixote deserves comparison only with the best, which among others includes the various Fournier performances...
Reviewed in issue 7/1991
It’s hard to talk about Ives. It’s harder to explain him‚ impossible to categorise him‚ foolish to analyse him. Best...
Reviewed in issue 4/2002
The one thing nobody wants in a performance of Dvorak's music is a coldly correct interpretation. The warmth must be...
Reviewed in issue 9/1986
Between 1972 and 1980, Sir Georg Solti set down a number of hugely stimulating Elgar recordings for Decca; indeed, his...
Reviewed by Andrew Achenbach in issue: 8/2011
The Brandenburg Concertos are such a diverse collection, and at the same time such a familiar one, that it is...
Reviewed by Lindsay Kemp in issue: 6/2009
By all accounts the performances in May this year at the Barbican were among the most enjoyable of their kind...
Reviewed by John Steane in issue: 11/2004
Balakirev's Second Symphony has never matched his First in popularity, and is indeed not so fine a work; but there...
Reviewed by John Warrack in issue: 9/1994
It surprises me that interpretations of the Ysaÿe Sonatas show such wide diversities, when the composer indicated the details of...
Reviewed by DuncanDruce in issue: 9/2010
The New Budapest Quartet were formed in 1971 and it was not long before they had collected a number of...
Reviewed by Robert Layton in issue: 7/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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