Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
After Liszt 's Gran Mass and Missa choralis, it was natural that he should be the one asked to compose...
Reviewed by Lionel Salter in issue: 3/1986
Completed in July 1899 and first heard under Henry Wood the following May‚ Thalaba the Destroyer was the first of...
Reviewed in issue 1/2002
The title-role in Ponchielli’s La Gioconda was a favourite with Zinka Milanov throughout her career, and this 1960 broadcast from...
Reviewed by Patrick O'Connor in issue: 4/2007
Completed in 1956 and premiered that year by Beecham, the third of William Alwyn’s five symphonies won approval for its...
Reviewed by Andrew Achenbach in issue: 2/2006
Kingsway Hall in 1971 was the venue for these performances of Handel's most popular pair of works—music which was of...
Reviewed in issue 7/1986
It is not always good news in the Ladies' Choral Society that the conductor has produced another new work for...
Reviewed in issue 10/1986
Here, as in Volume 1 (1/03), is a scholar’s paradise, a place which amply confirms Liszt’s tireless capacity for adventure...
Reviewed by Bryce Morrison in issue: 8/2004
‘Dapper, thoughtful but uninvolving’ must be the verdict on the latest instalment in Sir Roger Norrington’s VW symphony cycle for...
Reviewed by Andrew Achenbach in issue: 12/2000
This animated take on the Star Wars films from producer George Lucas disappeared very swiftly from UK cinema screens during...
Reviewed by Adrian Edwards in issue: 12/2008
The recordings on this CD of sonatas by Walter Macfarren (rather less well known than his blind brother-composer, George) and...
Reviewed by Jeremy Dibble in issue: 9/2009
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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