Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Both packages assume that you already know and love this music: their notes focus exclusively on the activities of Claudio...
Reviewed by David Gutman in issue: 12/2004
A mind-boggling statement in the brief insert-note by Kenneth Weiss himself (duly translated, unquestioningly, in the French version) that, of...
Reviewed by Lionel Salter in issue: 5/1997
Billy Joel (b1949) was at the forefront of the singersongwriter movement that swept through the pop music world from the...
Reviewed in issue 1/2002
Nothing that emerges from Manfred Eicher’s ECM stable is likely to lack a considered musical context, and true to form...
Reviewed by Rob Cowan in issue: 11/2006
After Mozart returned from his first extended tour of Italy in 1771, he embarked on a number of symphonic projects...
Reviewed in issue 12/1995
As Richard Wigmore remarks in his booklet, biographical speculation is always a risky game with Schubert. Listening to Leif Ove...
Reviewed by Jeremy Nicholas in issue: 4/2005
This is an important collection…music of real quality, full of attractive invention and melody and cleverly scored, but which is...
Reviewed by Ivan March in issue: 5/2008
Music of the Louis XV era doesn't conjure up as clear an image as that of Louis XIV's in most...
Reviewed in issue 6/1993
Telemann, ‘like the painter Raphael, had a first and second manner, which were extremely different from each other. In the...
Reviewed by Nicholas Anderson in issue: 3/1999
The CD transfer of these brilliant Decca analogue recordings of 1975 is certainly impressive, and can be warmly recommended to...
Reviewed by Edward Greenfield in issue: 1/1985
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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