Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Today’s New Music scene is said to be pluralistic: everything is permitted; style is no longer a moral issue. But...
Reviewed by Stephen Johnson in issue: 7/1996
Recordings of Sofia Gubaidulina’s music differ markedly as to presentation. Elsbeth Moser and Boris Pergamenschikov interpret Seven Last Words‚ meditations...
Reviewed by kYlzrO1BaC7A in issue: 5/2002
It is only a short while since I reviewed a suite of dances from Rameau's opera, Nais. Now, hard on...
Reviewed by Nicholas Anderson in issue: 11/1995
Place Eliahu Inbal's soft-grained account of the Fifth Symphony beside Kurt Sanderling's epic interpretation on Berlin Classics Eterna and its...
Reviewed in issue 8/1994
This enchanting record consists of songs and duets from Restoration plays, almost all of them on various aspects of love....
Reviewed in issue 9/1985
English song has been well looked after recently by artists and record companies, and it could be that readers who...
Reviewed in issue 8/2001
When Adrian Willaert claimed authorship of a piece that the Papal choir thought was by the great Josquin they promptly...
Reviewed in issue 1/2002
Illicit love and the torments of hell, or to be more specific, Dante's Divine Comedy in two reincarnations: one for...
Reviewed by John Steane in issue: 3/1994
Chesterfield Parish Church's claim to fame is its crooked spire, still remembered with affection by those viewers old enough to...
Reviewed by Marc Rochester in issue: 3/1993
A wealth of South American music remains unrecorded and so it is good that Naxos has commenced a long-overdue piano...
Reviewed by Bryce Morrison in issue: 7/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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