Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It’s gratifying to find CPO looking beyond Lehár for 20th-century Viennese operettas. Hard on the heels of Oskar Nedbal’s admirable...
Reviewed by Andrew Lamb in issue: 12/2011
For a composer so well known to the public, Grieg owes his reputation to a mere handful of works, although...
Reviewed by Christopher Headington in issue: 8/1992
Robert White brings all his familiar charm to some of Poulenc’s best-known songs. Predictably the Four Songs for Children, including...
Reviewed by Patrick O'Connor in issue: 3/1999
The four cantatas featured in this new disc from Meridian come from Telemann's ''Der harmonische Gottesdienst''. The collection was started...
Reviewed by Nicholas Anderson in issue: 1/1990
The Seventh Symphony of Allan Pettersson (1911-80) was one of the first pieces of modern Swedish music that I heard...
Reviewed in issue 4/1994
Even an echt Mozartian (which I'm certainly note) must find the prospect of 17 marches in a row quite daunting....
Reviewed in issue 11/1989
Talk about London buses! Who would have thought that another recording of Sacchini's masterpiece would follow hard on the heels...
Reviewed by Richard Lawrence in issue: 12/2006
For this generously-filled three-LP recital Rosen has chosen six ''revolutionary masterpieces'' from the composer's mid-twenties to support his contention that...
Reviewed by Joan Chissell in issue: 9/1986
Anyone who subscribes to the view that ‘Knappertsbusch’ invariably means ‘slow’ or ‘ponderous’ should try the 1929 Berlin State Opera...
Reviewed in issue 11/1996
There has been no shortage of digital recordings of this brilliant showpiece score, but till now no clear recommendation for...
Reviewed by Edward Greenfield in issue: 11/1985
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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