Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
In a graceful envoi to his introductory essay‚ Benjamin Folkman writes: ‘With Ms Eaglen set for a long reign in...
Reviewed in issue 1/2002
Apart from its obvious shock-horror angle, the image of a young woman going mad in enforced solitude while the familiar...
Reviewed by Stephen Johnson in issue: 7/1992
I have seen many Vienna New Year Concerts on television over the past 40 years‚ and I have heard recordings...
Reviewed by kYlzrO1BaC7A in issue: 1/2001
This is a very fine recording of the piano, and if that seems an oblique comment with which to begin...
Reviewed in issue 5/1997
No sound could more powerfully evoke Iceland than that of wind and waves breaking, and the dipping contours and cadences...
Reviewed in issue 7/1999
In June 1798 the town of Wexford declared itself a republic, and on May 30th, 1998, the rebellion of that...
Reviewed in issue 8/1999
Something about the key of D major seems to trigger off Mitsuko Uchida's adrenalin. The energy level in the Rondo...
Reviewed in issue 7/1987
Lorentzen’s Tristan Variations is an intriguing concept that manifestly fails to deliver. Having reduced his real life/mythical examples to the...
Reviewed by kYlzrO1BaC7A in issue: 5/1998
Anyone looking at the sleeve who thinks Elisabeth Soderstrom is going to give a recital upon the bass tuba will...
Reviewed in issue 10/1985
A great deal of intelligence is shown here in surmounting the fact that Hendricks simply doesn't have the wherewithal to...
Reviewed by Alan Blyth in issue: 12/1991
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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