Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is a selection from a complete set of Chopin's Nocturnes on two LPs dating from 1982. Items such as...
Reviewed in issue 9/1985
Furtwangler's Te Deum (1902-06) raises a joyous storm, with an abundance of personable gestures and more than a little help...
Reviewed in issue 12/1995
Sibelius as a youthful composer of string quartets is new to me, and on the showing of this record perhaps...
Reviewed in issue 9/1985
Volume 1 of the Florestan Beethoven series, with its inspiring performances of the two Op 70 trios, encouraged high expectations...
Reviewed by DuncanDruce in issue: 11/2003
Joshua, one of Handel’s least revived oratorios, has perhaps suffered from its origin during a period when Handel sought to...
Reviewed by David Vickers in issue: 1/2009
Volume 8 of this comprehensive Bach cycle finds Kevin Bowyer in exceptionally boisterous mood. There is a decidedly cheeky account...
Reviewed by Marc Rochester in issue: 5/1997
Sir Michael Tippett made this recording in his eighty-seventh year, some 50 years after completing this, his first wholly characteristic...
Reviewed by Arnold Whittall in issue: 9/1992
Harnoncourt, like Stefano Mollo for Abbado, has researched Schubert's own manuscripts, and noted that many unauthentic amendments have found their...
Reviewed by John Steane in issue: 12/1993
Strange are the ways of record companies. Erato already have in their current list an admirable recording – one with...
Reviewed by Lionel Salter in issue: 7/1997
As the title suggests, this is a nicely varied collection of flute lollipops inspired by opera, dazzlingly performed by EMI’s...
Reviewed by Edward Greenfield in issue: 7/2010
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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