Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Most of these vocal duets and cantatas come from Handel’s early years in Italy, in one case maybe even before...
Reviewed by Lindsay Kemp in issue: 9/1997
As horoscope writers in the seamier magazines might put it, with Yan Pascal Tortelier and the BBC Philharmonic in conjunction...
Reviewed by Marc Rochester in issue: 11/1994
As I said in my first review, this is an important as well as a logical coupling. No doubt collectors...
Reviewed by Robert Layton in issue: 8/1985
Here are three Eroicas, each of which confounds critical cliches about its respective conductor. Furtwangler’s 1944 recording is swifter than...
Reviewed in issue 2/1999
Philip Glass’s Heroes Symphony (1996) was his second stab at creating an extended structure from the songs of David Bowie....
Reviewed by Philip_Clark in issue: 6/2007
Believe it or not, Bryden Thomson's performance of the Sixth Symphony is faster than either Boult's or Previn's, two minutes...
Reviewed in issue 9/1989
As always with Busoni, ignore the opus numbers (he seems to have made a regular habit of going back to...
Reviewed by Michael Oliver in issue: 1/1996
Judging by the dates of these pieces (1958-73) , choral music seems to have occupied Scelsi for a relatively short...
Reviewed by Fabrice Fitch in issue: 13/1999
So far as Peer Gynt is concerned we now have to consider three different categories on record. There are more...
Reviewed in issue 9/1991
Eduardo Fernandez both understands and relishes every facet of Arnold's Guitar Concerto as is clear from his annotation. It is...
Reviewed by John Duarte in issue: 4/1991
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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