Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
These quite superb new recordings from the Medici Quartet and the pianist, John Bingham, have been released to mark the...
Reviewed by mjameson in issue: 11/1992
First, some thoughts on the Brodsky's programming concept. It was an imaginative idea to commission six new 'reflections' on the...
Reviewed by Rob Cowan in issue: 6/2000
Hitherto I have recommended the splendid Michael Thompson recordings of the Richard Strauss horn concertos and indeed those wanting a...
Reviewed by Ivan March in issue: 6/1989
Victoria Soames Samek has already explored the clarinetandorchestra music of Thea Musgrave (Cala‚ 10/97); this first of two volumes of...
Reviewed in issue 6/2002
After the deaths of two great interpreters of Delius – Sir Charles Mackerras and Richard Hickox – I often wondered...
Reviewed by Jeremy Dibble in issue: 6/2011
These two new CDs offer the listener differing aspects of Scriabin's music. Mikhail Rudy plays the last ten opus numbers...
Reviewed by James Methuen-Campbell in issue: 2/1989
These volumes of Whitlock’s complete organ music, the first of which was reviewed in 4/97, are transforming his position in...
Reviewed by Peter Dickinson in issue: 1/1998
This recording suggests how central is Morales’s position within the High Repertoire. Often spoken of as a precursor of Palestrina,...
Reviewed by Fabrice Fitch in issue: 11/2008
After “A Night at the Opera” (A/08), the piano comes to the carnival. Next year we are promised a trip...
Reviewed by Jeremy Nicholas in issue: 1/2010
‘Dans un parfum de roses’ (the quote is from La chanson d’Eve) is the title of the final volume and...
Reviewed by Bryce Morrison in issue: 12/2005
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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