Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
When playing this Compact Disc be careful to set the volume level considerably below your normal one before you start....
Reviewed by Ivan March in issue: 12/1983
I am not very confident of understanding what T. S. Eliot meant when he said he had “shored” various fragments...
Reviewed in issue 1/1997
With just a dozen players, the Scottish Ensemble makes a tight-knit group. Everywhere on this disc there is playing of...
Reviewed by Richard Fairman in issue: 5/2005
The traditional, legendary view of Beethoven presents him as a fiery, temperamental iconoclast, but it's surely a characteristic of great...
Reviewed by DuncanDruce in issue: 6/2000
These are fresh, vibrant readings presented in a fluent, eagerly communicative style. It is as if this gifted young player...
Reviewed in issue 5/2001
Six months before settling for good in the USA, Bartok gave a recital in the Library of Congress with his...
Reviewed by Lionel Salter in issue: 1/1991
Not to be confused with Stephen Kovacevich, nor likely to be, Mikhail Kazakevich offers a Schubert of beguiling surface beauty...
Reviewed in issue 12/1995
In a programme that moves, as in dreams, from land to land without seeming to notice, this delicately attuned soprano...
Reviewed by John Steane in issue: 2/2010
Those of us who first purchased the original 78rpm records of the Bellini items around 1950 will never forget the...
Reviewed by Alan Blyth in issue: /2000
Robert Dornhelm’s officially sanctioned documentary takes Rossini as an unlikely but apt key signature: from the opening of the William...
Reviewed by Peter Quantrill in issue: 10/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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