Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Philharmonia under Giulini, the LSO under Szell, Jochum and the Berlin Philharmonic, Sawallisch and the LPO at its Brahmsian...
Reviewed by Richard Osborne in issue: 12/1998
The booklet reminds us that Mathe is known as a jazz saxophonist and a collaborator in dance-theatre and cabaret groups...
Reviewed by Joan Chissell in issue: 1/1998
Three celebrated Karajan recordings of Strauss are brought together on CD at medium price here. In only one case would...
Reviewed in issue 12/1988
Best be sceptical of CPE Bach’s tale (insomniac Counts, bags of coins and so on) about the Goldberg Variations. It...
Reviewed by Nalen Anthoni in issue: 3/2005
Generally, the exceptional flair and creative energy of Beethoven’s Op. 9 String Trios is winningly conveyed in these eloquent accounts...
Reviewed in issue 4/1997
Alwyn's First Symphony is an essentially flamboyant work, dating from 1950 and appropriately dedicated to Sir John Barbirolli, who conducted...
Reviewed by Ivan March in issue: 5/1993
In principle a complete disc of Fauré songs is a good idea. Too often these are included as makeweights in...
Reviewed by rnichols in issue: 2/2005
This interesting recording of Rameau's Pieces de clavecin en concerts was issued in 1960 though made, I suspect, some while...
Reviewed by Nicholas Anderson in issue: 3/1994
There was some sort of magic in the air at the EMI Abbey Road Studios in London on March 12th...
Reviewed by Patrick O'Connor in issue: 11/1995
The music of The Netherlands after about 1600 has never been granted a great deal of recording space, even in...
Reviewed by Lindsay Kemp in issue: 10/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.