Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Malcolm Bilson's Mozart series with the English Baroque Soloists reaches, with this fourth disc, the concertos of the later part...
Reviewed by Stanley Sadie in issue: 6/1986
This is the second recording of what must rank as one of Jonathan Harvey’s most important and approachable works. No...
Reviewed by Arnold Whittall in issue: 7/1996
The first volume of Bernd Glemser’s cycle of Scriabin piano sonatas follows hard on the heels of Marc-Andre Hamelin’s dazzlingly...
Reviewed by Bryce Morrison in issue: 8/1996
Given that the first movement of Tippett's Piano Concerto grows directly out of the lyrically ecstatic music of his first...
Reviewed by Arnold Whittall in issue: 1/2000
Neville Marriner and the Philharmonia show us a mutually enjoyable engagement with these Offenbach offerings, deliciously and digitally recorded by...
Reviewed in issue 5/1985
How authentic is authentic? Trevor Pinnock and The English Concert here add to the already long list of Messiah recordings...
Reviewed by Edward Greenfield in issue: 11/1988
Hexachordum Apollinis is considered Pachelbel's finest composition in variation form. It consists of six Arias each comprising a theme and...
Reviewed by Marc Rochester in issue: 5/1991
By good fortune Naxos have chosen a splendid player to introduce us to Nos. 2 and 3. The Russian artist,...
Reviewed by Ivan March in issue: 12/1997
The previous CD devoted to Sir William Harris is worth calling to attention now because it presents the composer in...
Reviewed by John Steane in issue: 2/2007
The first striking thing here is the recorded balance. Distant miking and generous ambience lend the orchestra the kind of...
Reviewed by David Fanning in issue: 8/2006
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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