Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is a delightful collection of Dvorák in relaxed mood. All three works date from 1879, just when German publishers...
Reviewed by Edward Greenfield in issue: 6/2006
Naxos has scored another bull’s eye in its American Classics series, giving us long-awaited, première recordings of Ned Rorem’s first...
Reviewed by Andrew Farach-Colton in issue: 10/2003
The Mode release offers Feldman jewels from the 1950s, mostly first recordings. I had never heard his tape piece, Intersection,...
Reviewed by Peter Dickinson in issue: 11/1999
Were the competition less intense, I'd probably be bestowing a warmer welcome to Kees Bakels's new coupling (the second instalment...
Reviewed by Andrew Achenbach in issue: 12/1994
Parsifal always brings out the very best in its interpreters, and this new version is no exception. Barenboim is always...
Reviewed by Alan Blyth in issue: 10/1991
This is another incarnation of John Corigliano’s Red Violin music. First the film and the Chaconne for violin and orchestra...
Reviewed by Peter Dickinson in issue: 9/2008
Tim Souster’s thoughtful and creative attitude to sound is well demonstrated by Equalisation. Echoes suggests an anarchic Malcolm Arnold, while...
Reviewed by kYlzrO1BaC7A in issue: 6/1999
Schubert is foreshadowed in the third movement of the Sixth Trio. Beethoven originally conceived it as a minuet but then...
Reviewed by Nalen Anthoni in issue: 10/2005
The best-known piece here is Svensen's disarmingly memorable Romance, with its romanticised folk-like main theme (beautifully played here). Svensen, like...
Reviewed by Ivan March in issue: 6/2000
Roger Waters (if you don’t know) was bass player, chief lyricist and co-composer in Pink Floyd during the period when...
Reviewed by bwitherden in issue: 10/2005
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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