Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
We are often assured that great conductors of an earlier generation interpreted Mahler from within the Austrian tradition, encoding a...
Reviewed in issue 11/1998
Here comes Purcell year, and with it this disc to serve as a timely reminder of why we need it....
Reviewed by Lindsay Kemp in issue: 1/1995
Bernstein recorded these performances at public concerts and the first things to report are that I noticed no evidence of...
Reviewed in issue 8/1985
Probably the most valuable item in this collection is the otherwise unvaible Parade arrangement. But the one I enjoyed the...
Reviewed in issue 1/1986
Tommie Haglund (b1959) was 50 last year and Phono Suecia’s recordings (made last year and early this) have been issued...
Reviewed by Guy Rickards in issue: 12/2010
In the case of the Britten Cello Symphony, comparisons will naturally be drawn with the now-legendary commercial recording Rostropovich and...
Reviewed by Andrew Achenbach in issue: 3/1998
Almost every non-vocal classical record collection in the 1930s included some of Toscanini's recordings with the Philharmonic Symphony Orchestra of...
Reviewed in issue 3/1990
Sergio Fiorentino’s journey from a deft if sometimes slipshod virtuoso to a great artist, while largely ignored in his native...
Reviewed by Bryce Morrison in issue: 12/2005
We may be grateful for the riches that the record companies are giving us in Milhaud's centenary year in the...
Reviewed by Christopher Headington in issue: 3/1993
There is clearly no shortage of excellent young clarinettists, as the three listed above demonstrate. Sharon Kam, winner of the...
Reviewed by Lionel Salter in issue: 2/1997
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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