Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is an unnecessary issue. Gidon Kremer is one of the most gifted and interesting violinists alive, but the Sibelius...
Reviewed in issue 9/1992
This first volume of a complete Bach Flute Sonatas series makes it clear that the category will be left as...
Reviewed by Lindsay Kemp in issue: 4/2000
Again, as in previous issues, it is remarkable what a little touch of drama will do. The single word ''scorn''...
Reviewed in issue 6/1994
First, a confession: I have not done as the composer wishes. I have not transferred these recordings on to cassette,...
Reviewed by Arnold Whittall in issue: 9/1987
Monteverdi’s two collections of songs entitled Scherzi musicali (“musical jokes”) were published in 1607 and 1632. Rather than presenting the...
Reviewed by David Vickers in issue: 13/2009
Hitherto, Jose Vianna da Motta (1868-1948) was quite unknown to me. Artur Pizarro’s informative note fills the main gaps: born...
Reviewed by Guy Rickards in issue: 2/2001
Renewed teaching activities, and the exceptional abilities of his students Ferdinand David and Fredrik Pacius, inspired Spohr to return to...
Reviewed in issue 5/1996
Maria Nemeth came to Covent Garden in 1931 and competed with the recent memory of Eva Turner’s Turandot in the...
Reviewed in issue 6/1996
Jordi Savall has established a huge reputation as a gamba player and as a director of ensembles, including the two...
Reviewed by Richard Lawrence in issue: 8/2007
The gorgeousness of the sound in this outstanding version of a favourite showpiece (made the more attractive by the apt...
Reviewed by Edward Greenfield in issue: 10/1986
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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