Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The new tango form owes an immeasurable debt to the classically trained Astor Piazzolla (he studied composition with Nadia Boulanger),...
Reviewed by rthomas in issue: 8/1998
Opera’s favourite encounter with the French Revolution is back, and with it the kind of starry operatic production by a...
Reviewed by John Steane in issue: 7/2010
My initial prejudice against bringing forward the action of Massenet’s masterpiece of sentiment to the 1950s was mostly assuaged by...
Reviewed by Alan Blyth in issue: 6/2006
You might call the Mozart concerto recordings ‘the lost sessions’ because they are making their first reappearance in nearly half...
Reviewed by Nalen Anthoni in issue: 1/2004
The real surprise here is the Kabalevsky. In the past I've found getting to know Kabalevsky more of a duty...
Reviewed by Stephen Johnson in issue: 6/1988
It seems a long time since a whole disc was devoted to either the Fitzwilliam Virginal Book or the solo...
Reviewed by John Duarte in issue: 11/1988
Here‚ in performances dating from 1967-71‚ before he was tragically overcome by illness and confusion‚ is John Ogdon playing with...
Reviewed by Bryce Morrison in issue: 9/2002
The presentation of a recording shouldn’t really come first, but this one’s does it no favours. Although it was made...
Reviewed by mscott rohan in issue: 7/2005
Unlike Karajan's Wagnerization of Debussy's intimate score (EMI, 2/88) or Boulez's pitilessly spotlit reduction of it to a bourgeois domestic...
Reviewed by Lionel Salter in issue: 4/1993
Niklas Eklund comes from a growing dynasty of distinguished Swedish trumpeters, significantly fostered by outstanding teachers and players of which...
Reviewed by Jonathan Freeman-Attwood in issue: 11/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.