Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Philippe Schartz is renowned for his radiant tone, bright and decisive yet never uncompromising. Such are the requirements for the...
Reviewed by Jonathan Freeman-Attwood in issue: 1/2012
The Arte Nova set completes the slightly erratic issue of this superbudget Ring. The one constant has been – for...
Reviewed in issue 9/2002
In later life Hindemith tended to regard his three early one-act operas (Wergo promise to complete the trilogy shortly with...
Reviewed by Michael Oliver in issue: 2/1989
At medium price both these issues are a bargain. Certainly all the performances go back over 20 years and according...
Reviewed by Christopher Headington in issue: 7/1988
Let us start with the unfamiliar. Having finished her tour of the Auvergne, Dawn Upshaw completes this recital disc by...
Reviewed in issue 10/1997
Christopher Kite plays on a copy of a 1784 Stein fortepiano, and a most attractive instrument it is, well suited...
Reviewed by John Warrack in issue: 8/1989
Sally Beamish wrote her flute concerto in 2005, and those who have been enjoying her admirable Viola Concerto No 2...
Reviewed by Arnold Whittall in issue: 3/2009
At over 72 minutes, this is a generous disc in terms of duration. It is reasonably attractive musically, too. Jeno...
Reviewed by Christopher Headington in issue: 9/1988
Here is the reissue of yet another version of this work. It has much to commend it. First of all...
Reviewed by Alan Blyth in issue: 8/1993
This isn’t La vie parisienne but rather Pariser-Leben – Offenbach’s 1866 ‘play with songs’ reached Vienna and then Berlin just...
Reviewed by Patrick O'Connor in issue: 6/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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