Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Once one has called to mind the fact that, in spite of the fragment of an ikon of the Archangel...
Reviewed in issue 4/1993
This set has to be listened to with the ear of faith, but that faith will be amply rewarded. Here...
Reviewed by Alan Blyth in issue: 1/1990
As this curious collection of transcribed string concertos confirms, Nakariakov is fast becoming the Volodos of the trumpet; however natural...
Reviewed by Jonathan Freeman-Attwood in issue: 7/1999
When these recordings first appeared (differently coupled: K488 with K467 in C, K595 with K271 in E flat) it was...
Reviewed by rgolding in issue: 5/1985
The French composer and music critic, Paul Le Flem, died in 1984 at the amazing age of 103, and although...
Reviewed in issue 12/1994
John Farrer and the English Sinfonia turn in a sturdy, spick-and-span account of Ireland’s Concertino pastorale, enjoyable in its straightforward...
Reviewed by Andrew Achenbach in issue: 11/1997
It is good to have these Soderstrom performances on a budget-price label. The record companies showed poor judgement in not...
Reviewed in issue 8/1986
This is the most exciting new set of a Verdi opera for a very long time. It is justification, if...
Reviewed by Alan Blyth in issue: 1/1991
An imaginative and varied sequence, eloquently realized by one and all. Twenty-two-year-old St Paul’s Cathedral Organ Scholar Benjamin Nicholas gives...
Reviewed in issue 3/1999
No, not Gerald, but Aldo Finzi (1897-1945), a Milanese composer who had studied at Rome’s Santa Cecilia Conservatoire and enjoyed...
Reviewed by Andrew Achenbach in issue: 8/2004
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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