Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Inscribed to “all the martyrs of the Resistance and to all those who have died for France”, the 1945 Requiem...
Reviewed by Andrew Achenbach in issue: 11/1998
This makes such a lovely beginning that one is doubly loath to report eventual disappointment. The arias from Der Freischutz...
Reviewed in issue 11/1997
Though he wrote a few large-scale orchestral works‚ Suk was happier with smaller forms‚ and his piano music is some...
Reviewed by John Warrack in issue: 4/2002
By the standards of contemporary opera, 60th Parallel has had good exposure. Commissioned by IRCAM and Paul Sacher (among others)...
Reviewed by Fabrice Fitch in issue: 1/2001
Villa-Lobos's Concerto is a curious work: five years after it was written (as a Fantasia Concertante) the composer added a...
Reviewed by John Duarte in issue: 2/1986
Christophe Coin's new excursion into the early romantic cello repertoire, has, I fear, been only partially successful. His Harmonia Mundi...
Reviewed by mjameson in issue: 2/1993
In a witheringly funny piece on the current state of the Edinburgh Festival Fringe, Michael Henderson observed that “if Proust...
Reviewed by Richard Osborne in issue: 13/2007
Here’s a first: Bach’s Goldberg Variations as scored for two oboes, one cor anglais and one bassoon by Andrei Eshpai....
Reviewed by Jed Distler in issue: 1/2008
It would be hard to devise a songmiscellany more attractive than this‚ bringing together so many popular favourites as well...
Reviewed in issue 11/2001
A disappointing coupling and one that does little to enhance Klemperer's reputation. As it happens the first movement of the...
Reviewed by Ivan March in issue: 7/1985
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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