Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The current Classical Catalogue lists recordings of seven songs by Howells, and will shortly have to find room for 42...
Reviewed in issue 8/1994
Sir Charles Mackerras does not come first to mind, perhaps, when one is thinking about conductors of Elgar's music, but...
Reviewed in issue 8/1991
In his youth Sibelius was a keen chamber music player and formed a family piano trio with his brother Christian...
Reviewed by Robert Layton in issue: 7/1990
It would be easy to take for granted the wonderful articulacy and tonal thrust of the Vienna Philharmonic in these...
Reviewed by Richard Osborne in issue: 5/1989
Koukl’s splendid coupling of the Third and Fifth Concertos (3/10) has rightly drawn warm praise and this next instalment in...
Reviewed by Guy Rickards in issue: 1/2011
Like most of the opera sets in the Naxos Historical series, this Toscanini issue comes from a broadcast source, a...
Reviewed by Edward Greenfield in issue: 9/1998
Few guitarists have made more records and given more recitals around the world than Ernesto Bitetti, Argentine by birth but...
Reviewed by John Duarte in issue: 3/1991
While the sound of Sir John Pritchard's 30-year-old account of Tippett's early oratorio has not been miraculously transformed by transfer...
Reviewed by Arnold Whittall in issue: 12/1989
The 12-year-old Maria-Elisabeth Lott is clearly a remarkable talent. She was chosen from 30 applicants for the honour of playing...
Reviewed by DuncanDruce in issue: 3/2000
We have come to expect recorded perfection from Chandos and if they occasionally miss that target they are often still...
Reviewed in issue 7/1987
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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