Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It’s clear that Stephen Hough has technically and spiritually digested the first book of Années de pèlerinage to the extent...
Reviewed by Jed Distler in issue: 13/2005
This is the fourth disc in Chandos’s enterprising series devoted to Sir John Blackwood McEwen’s chamber and instrumental music. A...
Reviewed by Andrew Achenbach in issue: 10/2003
Sometimes a recording comes along that puts in the shade all recent listening. Such a one is Schreier's latest account...
Reviewed by Alan Blyth in issue: 4/1990
The harpsichord transcriptions of the Forquerays' pieces de viole are always immediately recognizable by their low tessitura and dense textures,...
Reviewed in issue 5/1994
An exquisite work composed when Mozart was in Paris in the late 1770s, the Concerto for flute and harp is...
Reviewed by Christopher Headington in issue: 7/1989
Political visits abroad suggest that Atonement in Warsaw (1997), based on the life of former West German Chancellor Willy Brandt,...
Reviewed in issue 10/1998
Naumann’s principal claim to fame nowadays is his Swedish opera Gustaf Wasa (available on Virgin, 3/96). Here, a distinguished cast...
Reviewed by Fabrice Fitch in issue: 6/1998
Szymon Goldberg was a Polish-born pupil of Carl Flesch, who became leader of Furtwangler's Berlin Philharmonic Orchestra at the age...
Reviewed in issue 4/1994
With over 50 Sibelius Seconds in the catalogue, and three dozen of the Fourth, any newcomer has to work overtime...
Reviewed in issue 7/2001
Bishop-Kovacevich is up against two Leeds prize-winners and a late-lamented artist whose Brahms has held its place in the catalogue...
Reviewed by Joan Chissell in issue: 12/1985
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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