Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Presenting history via sound – not merely illuminating neglected chapters of music history – lies behind Jordi Savall’s series of...
Reviewed by Julie Anne Sadie in issue: 2/2011
A happy expectancy attends Elly Ameling's programmes, in which nothing is predictable except enjoyment. Here she ranges more widely over...
Reviewed in issue 3/1985
Does Schumann's Second Symphony require special pleading? This former black sheep of the family certainly needs more positive direction and...
Reviewed by John Steane in issue: 2/1991
Zdenek Tylsar is a fine player, phrasing musically and showing an excellent feeling for the Mozartian line. Technically he is...
Reviewed by Ivan March in issue: 6/1986
Jean Gilles may not be a well-known name, but his Requiem of 1705 was once one of the most admired...
Reviewed by Lindsay Kemp in issue: 5/2003
It seems questionable to combine a 1946 performance of the Franck Symphony's first movment with a 1940 account of the...
Reviewed in issue 11/1992
Twentieth-century French flute music is an almost inexhaustible field and one which, to be frank, contains more than the occasional...
Reviewed by rnichols in issue: 11/2003
Although the music may be little known, this is a most attractive CD from a highly talented group of young...
Reviewed in issue 7/1992
''A warm heart, I can assure you, beats in the little bodies of my younger children of the south who,...
Reviewed by Alan Blyth in issue: 11/1992
Thomas Stoltzer is one of a generation of German composers who followed in the footsteps of the Josquin/Isaac generation. The...
Reviewed by Fabrice Fitch in issue: 2/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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