Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is an attractive record and its appeal may well be felt before a note of it is heard. Many...
Reviewed by John Steane in issue: 3/2011
Dohnanyi follows up the success of his brilliant and sympathetic account of the Dvorak Eighth Symphony (414 422-1DH, 2/86; CD...
Reviewed by Edward Greenfield in issue: 11/1986
These recordings date from between 1976 and 1982. They were made in a studio of the House of Artists in...
Reviewed in issue 12/1985
Grieg was at one time conductor of the orchestra in his home town, and it would be pleasing to report...
Reviewed in issue 9/1993
Esquisses (“Sketches”) was a ballet based on a conflation of Gogol’s best-known stories, put on at the Bolshoi in 1975...
Reviewed in issue 6/1998
Philippe Herreweghe’s selective series of Bach cantata recordings has, for me, been a mixed bag, too often diminished in stature...
Reviewed by Nicholas Anderson in issue: 11/1998
Mikalojus Konstantinas Ciurlionis (1875-1911) was a figure of crucial importance to Lithuania, and not just in music (he was also...
Reviewed by Michael Oliver in issue: 11/1998
Hindemith was rather fond of the theme and variations format, but the Four Temperaments must be one of his finest....
Reviewed by John Steane in issue: 3/1993
Only last month I was hailing the new CBS version of this coupling ''as a clear first choice and likely...
Reviewed by Robert Layton in issue: 9/1986
At the end of his balanced and informative sleeve-note Jeremy Nicholas suggests that ''there must always be a place for...
Reviewed in issue 3/1993
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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