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Review of Ne me refuse pas

Ne me refuse pas

This is an attractive record and its appeal may well be felt before a note of it is heard. Many...

Reviewed by John Steane in issue: 3/2011

Review of Dvorák Symphony No 9

Dvorák Symphony No 9

Dohnanyi follows up the success of his brilliant and sympathetic account of the Dvorak Eighth Symphony (414 422-1DH, 2/86; CD...

Reviewed by Edward Greenfield in issue: 11/1986

Review of Mahler Symphony No 8

Mahler Symphony No 8

These recordings date from between 1976 and 1982. They were made in a studio of the House of Artists in...

Reviewed in issue 12/1985

Review of Grieg Orchestral Works

Grieg Orchestral Works

Grieg was at one time conductor of the orchestra in his home town, and it would be pleasing to report...

Reviewed in issue 9/1993

Review of Schnittke Esquisses

Schnittke Esquisses

Esquisses (“Sketches”) was a ballet based on a conflation of Gogol’s best-known stories, put on at the Bolshoi in 1975...

Reviewed in issue 6/1998

Review of Bach Cantatas

Bach Cantatas

Philippe Herreweghe’s selective series of Bach cantata recordings has, for me, been a mixed bag, too often diminished in stature...

Reviewed by Nicholas Anderson in issue: 11/1998

Review of Born of the Human Soul - Ciurlionis Piano Works

Born of the Human Soul - Ciurlionis Piano Works

Mikalojus Konstantinas Ciurlionis (1875-1911) was a figure of crucial importance to Lithuania, and not just in music (he was also...

Reviewed by Michael Oliver in issue: 11/1998

Review of Hindemith Orchestral Works

Hindemith Orchestral Works

Hindemith was rather fond of the theme and variations format, but the Four Temperaments must be one of his finest....

Reviewed by John Steane in issue: 3/1993

Review of Beethoven & Mozart Piano and Wind Quintets

Beethoven & Mozart Piano and Wind Quintets

Only last month I was hailing the new CBS version of this coupling ''as a clear first choice and likely...

Reviewed by Robert Layton in issue: 9/1986

Review of Romantic Piano Concerto - Volume 4

Romantic Piano Concerto - Volume 4

At the end of his balanced and informative sleeve-note Jeremy Nicholas suggests that ''there must always be a place for...

Reviewed in issue 3/1993


 

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