Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Rubinstein remains the most elegant and life-affirming of all great Chopin pianists, his patrician ease and stylistic distinction the envy...
Reviewed by Bryce Morrison in issue: 12/2002
To recapitulate: ES made a direct comparison of Midori (Sony Classical) and Chung (Decca, a re-release of a 1978 original...
Reviewed in issue 11/1991
Here, perhaps surprisingly, comes yet a third version of Mozart's Waisenhausmesse, or ''Orphanage Mass'', so called because it is thought...
Reviewed by Stanley Sadie in issue: 3/1990
With their two latest discs, the Kassiopeia Quintet conclude a valuable intégrale of the notorious Prince of Venosa’s madrigals. If...
Reviewed by Fabrice Fitch in issue: 9/2009
This period performance of two early Schubert symphonies—the more ambitious C minor work, the Tragic, as well as No. 1—boasts...
Reviewed by Edward Greenfield in issue: 7/1990
It would be nice to report that with Daniel Hope as violinist since 2002, the name of the Beaux Arts...
Reviewed by David Fanning in issue: 1/2006
Nalen Anthoni’s perceptive appraisal of Wilhelm Backhaus’s art in ICRC (Summer 1997) quotes Abram Chasins who, in his...
Reviewed in issue 2/1998
Joop Celis’s survey (or is it now a cycle?) of York Bowen’s solo piano works remains consistent in the quality...
Reviewed by Jeremy Nicholas in issue: 6/2010
Abbado conducts Pulcinella with a good deal of vigour, persuading his smallish group from the LSO to some very adroit,...
Reviewed in issue 1/1989
It's hard to describe a virtually unknown composer's style without falling back on comparisons. So who does Roman Maciejewski's Requiem...
Reviewed by Stephen Johnson in issue: 9/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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