Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
You won't get much nearer the heart of early French organ music than this. Though some of the pieces and,...
Reviewed in issue 5/1984
By happy coincidence, these two new versions of the Tchaikovsky Violin Concerto appear with the same couplings. But where the...
Reviewed by Edward Greenfield in issue: 4/2007
''O merveille!'' as Faust exclaims at the vision of Marguerite. The beauty overwhelms him but, if you remember, it's an...
Reviewed in issue 2/1990
It is strange when Arnold has been such a prolific and imaginative symphonist, and when he has also written many...
Reviewed by Edward Greenfield in issue: 10/1992
With any good Ninth the prospect of an imminent onslaught should posit itself right from the opening bars, and Järvi’s...
Reviewed by Rob Cowan in issue: 5/2010
Tchaikovsky's Souvenir de Florence may not be completely idiomatic chamber music, but a good deal of it works well in...
Reviewed by Stephen Johnson in issue: 6/1991
Hypothetically Murdered was a 1931 Music Hall show for which Shostakovich provided some of his most uproariously tasteless music—all appropriate,...
Reviewed in issue 1/1994
Part of Joseph Losey's genius as a film director was to make his settings - the buildings, the outdoors, the...
Reviewed by John Steane in issue: 4/2008
Mendelssohn’s quartets exhibit a remarkable blend of fantasy, emotion and intellectual rigour, allied to an insider’s expertise in writing for...
Reviewed by DuncanDruce in issue: 11/2009
This is a fascinating and revealing collection—a reminder of how seriously the Americans are taking their own music of the...
Reviewed by Peter Dickinson in issue: 8/1994
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.