Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
As a glance above shows, this is a formidable undertaking for any young singer whether in respect of vocal resources,...
Reviewed by John Steane in issue: 6/2005
Like so many things Rossinian, the Petite messe solennelle, one of the most original and engaging of all settings of...
Reviewed by Richard Osborne in issue: 12/1984
Light music connoisseurs will doubtless already have invested in Frederick Fennell’s sparkling Mercury collection which contains many of the items...
Reviewed by Andrew Achenbach in issue: 1/1996
A curious collection (one would have thought that the Schubert Overture might have been placed first) but it works well....
Reviewed by Ivan March in issue: 3/1990
Toscanini's 1950 La mer is sharply chiselled precise, clear and a virtuoso showpiece for orchestra. There are no mysterious half-lights,...
Reviewed in issue 2/1992
In his Fifth Book of Madrigals, Monteverdi gradually detaches himself (regretfully?) from the world of its predecessor, published only two...
Reviewed by Fabrice Fitch in issue: 2/2008
It was a bright idea of someone's to couple together two popular suites about heroes of whom one was bogus...
Reviewed by Lionel Salter in issue: 4/1985
Jacob Handl, or Gallus (the Latin equivalent of Handl, which means rooster), after a time assimilating the ever-conflating styles of...
Reviewed by Jonathan Freeman-Attwood in issue: 12/1997
Inscribed to ‘Glorious John with love and admiration from Ralph’‚ Vaughan Williams’s Eighth Symphony received its first playthrough in Manchester’s...
Reviewed in issue 9/2001
Shumsky touches these works with the affection and understanding of one who has had a long love-affair with them, one...
Reviewed by John Duarte in issue: 9/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.