Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Beate Berthold's EMI debut (2/93) was exclusively devoted to Rachmaninov. Here she expands her horizons to include Tchaikovsky and Scriabin...
Reviewed by Bryce Morrison in issue: 7/1993
Dmitry Sitkovetsky’s first recording of Bach’s solo violin music, for Orfeo in 1985, drew consistent praise from reviewers in these...
Reviewed by Lindsay Kemp in issue: 6/1999
This is one of Pro Cantione Antiqua's most carefully researched and best-sounding performances in recent years. It is also something...
Reviewed in issue 11/1987
The only previous complete recording of Cinderella (by Rozhdestvensky and the Moscow Radio Symphony Orchestra—HMV SXDW3026, 3/77) is no longer...
Reviewed by Michael Oliver in issue: 11/1983
Gustav Leonhardt made this fine recording of Bach's six French Suites some 15 years ago. At a later stage it...
Reviewed by Nicholas Anderson in issue: 5/1990
The current pre-eminence of Gustav Mahler in the concert-hall and on disc is not something that could have been anticipated...
Reviewed in issue 12/1995
Giuliano Carmignola has proved himself to be the smoothest technician among current period violinists, so it seems natural that he...
Reviewed by Lindsay Kemp in issue: 6/2003
Although the orchestral suites have been recorded before, once on LP in the 1970s and more recently by Sir Charles...
Reviewed by Robert Layton in issue: 4/1993
Appreciating that readers look to reviews for answers rather than supplementary questions, one is reluctant to open on a note...
Reviewed by John Steane in issue: 3/2011
Writing of these three concertos in 1782, Mozart made an impressive claim: “They strike a happy medium, neither unnecessarily complex...
Reviewed by Bryce Morrison in issue: 9/1998
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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