Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
These three sonatas span around 14 years in their dates of composition and thus can be thought of as s...
Reviewed by James Methuen-Campbell in issue: 4/1986
The 250th anniversary of the remarkably long-lived Bolognese composer Giacomo Antonio Perti (1661-1756) passed without much attention, but his music...
Reviewed by David Vickers in issue: 7/2007
The Second Symphony (1970, rev. 1995) is one of Aho’s most closely argued, a dark-hued, compelling series of three linked...
Reviewed in issue 10/1999
Cui, a member of the original Russian 'Five', was a dedicated encourager of the other members of the group (and...
Reviewed in issue 10/1986
Over and above evoking the real world of which it’s a part, a well thought-out recital creates another, imaginary world,...
Reviewed by William Yeoman in issue: 10/2008
I can't imagine that the Suisse Romande Orchestra have ever played better than they are doing now. In every section...
Reviewed in issue 5/1994
Lan Shui took up the post of music director to the Singapore SO back in 1997 and on this evidence...
Reviewed by Andrew Achenbach in issue: 7/2009
Sony's booklet tells us that Shostakovich's orchestration was used for the Mussorgsky songs; ''Shostakovich ed. Abbado'' would be more accurate,...
Reviewed by John Steane in issue: 3/1995
Talk about an old head sitting on young shoulders. Amazing how a lad in his early twenties can feel Tchaikovsky’s...
Reviewed by Rob Cowan in issue: 5/2003
Among Lieder composers‚ Loewe is the one basses have most marked out as their own. Certainly on records‚ from Paul...
Reviewed in issue 13/2001
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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