Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Kabalevsky seems destined to be remembered for his user-friendly piano music and listener-friendly concertos. But he did also compose four...
Reviewed in issue 10/1992
Like Handel, Johann David Heinichen (1683-1729) was born in Saxony and his musical education blossomed in Italy. He’s no stranger...
Reviewed by David Vickers in issue: 2/2006
Medtner would have been both grateful and astonished by his present and ever-increasing recognition. Once dismissed as an unsatisfactory betwixt-and-between...
Reviewed by Bryce Morrison in issue: 3/1995
Bellini suits June Anderson surprisingly well: 'surprisingly' because her voice is bright and her manner somewhat impersonal and unyielding very...
Reviewed in issue 12/1988
Pascal Collasse is chiefly remembered nowadays, if at all, as Lully's amanuensis. All the more odd, then, that within the...
Reviewed by Nicholas Anderson in issue: 9/1994
This, another of EMI's transfers to CD of their recordings of the rarer Strauss operas, is the only virtually complete...
Reviewed in issue 1/1989
Before the “industrial” minimalism of Louis Andriessen and the serial-tonality of Peter Schat, the previous generation of Dutch composers had...
Reviewed by kYlzrO1BaC7A in issue: 4/2007
Here, at last after a considerable gap in time, is Vol. 38 of the Harnoncourt/Leonhardt Bach cantata marathon. There are...
Reviewed by Nicholas Anderson in issue: 4/1987
Given the ubiquity of recorded Mahler, I can’t see these live relays making much impact. Which is not to say...
Reviewed by David Gutman in issue: 6/2005
The Scarlatti sonatas come from the first studio recording Gilels made for the BBC, in 1957. That was also the...
Reviewed by Stephen Plaistow in issue: 8/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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