Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Alan Sanders compared Dohnanyi's 1956 recording of the Nursery Variations made with Sir Adrian Boult and the RPO (EMI,1/90) unfavourably...
Reviewed by Robert Layton in issue: 1/1992
Chabrier’s name lives on primarily through España and Marche joyeuse. His tiny output for piano is far too rarely encountered...
Reviewed by Jeremy Nicholas in issue: 4/2006
For Folk Songs, Luciano Berio gathered together melodies from varied locations and of starkly diverse character (adding a few folksy...
Reviewed by Andrew Farach-Colton in issue: 3/2006
This coupling of the two Shostakovich violin concertos could hardly be more welcome, when it so completely explodes the idea...
Reviewed by Edward Greenfield in issue: 4/1990
Margaret Price's admirers, many of whom greeted her Barbican recital last season so ecstatically, will be delighted that at last...
Reviewed by Alan Blyth in issue: 9/1983
Dimitri Kharitonov gets this recital off to a fine start with his gentle, intimate singing of one of Rachmaninov’s most...
Reviewed by John Warrack in issue: 9/1999
The authenticity of four of Bach's sonatas for accompanied flute (BWV1030, 1032, 1034 and 1035) is not in doubt, but...
Reviewed by John Duarte in issue: 2/1989
Here is incontrovertible evidence entirely to refute those, myself included, who have claimed till now that Callas's voice was irreparably...
Reviewed by Alan Blyth in issue: 3/1995
This third and last volume of Purcell's non-theatrical secular songs consummates a most rewarding survey of 87 songs with more...
Reviewed by Jonathan Freeman-Attwood in issue: 1/1995
All praise to this young German artist for tuning his attention to less frequently recorded early works—at least for two...
Reviewed by Joan Chissell in issue: 12/1986
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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