Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
There are two ways of approaching a recording of many baroque works: either to play no more than is in...
Reviewed by John Duarte in issue: 1/2000
Roman Trekel has drastically rethought Winterreise since his Naxos recording (3/00). Gone are the often stultifyingly slow tempi and the...
Reviewed by Richard Wigmore in issue: 12/2008
A little over half of the generous playing time on the CD is devoted to Gustav Merkel’s organ sonatas. The...
Reviewed by Marc Rochester in issue: 1/1999
With this disc Anne Queffelec completes her cycle of Ravel's solo piano music and once more suggests both the virtues...
Reviewed by Bryce Morrison in issue: 3/1994
The CD version is highly satisfying, with a finely-judged balance of voices and instruments. It would be difficult to improve...
Reviewed in issue 11/1985
Between 1931 and 1946 Sir Eugene Goossens, then conductor of the Cincinnati Symphony Orchestra, commissioned 19 fanfares—mainly from American composers—12...
Reviewed by Ivan March in issue: 7/1991
The psalm is No 50 in the King James Bible: ‘The mighty God, even the Lord, hath spoken’. God appears...
Reviewed by John Warrack in issue: 12/2004
This imaginative recording of 13th-century polyphony is definitely one for your collection, even if you have never encountered this repertory...
Reviewed by Tess Knighton in issue: 1/2004
'Influenced by Wagner' is the standard reflex reaction to Strauss's first opera, Guntram, and it's true, of course, nowhere more...
Reviewed in issue 9/1988
This disc leaves me with an uncomfortable sense of ambivalence. I will lay my cards down from the start: I...
Reviewed by Tim Parry in issue: 10/1997
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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