Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Mahagonny is always going to be a problem piece for American opera companies. Although ostensibly set in the US, its...
Reviewed by Patrick O'Connor in issue: 4/2008
Johann Theile, pupil of Schutz and friend of Buxtehude, is chiefly remembered today for two things: his sacred opera Adam...
Reviewed by Nicholas Anderson in issue: 2/1998
It’s a long time since people believed that because the Art of Fugue was printed in open score, it was...
Reviewed by Lionel Salter in issue: 9/1997
Sifting of the proliferating CD versions of these works has so far left Sitkovetsky and Shumsky in the sieve; now,...
Reviewed by John Duarte in issue: 12/1988
Various features distinguish this version of The Play of Daniel. First, the text is more clearly and flexibly sung than...
Reviewed by David Fallows in issue: 11/1996
Alun Hoddinott isn't a pianist himself, but he has written (so far) three concertos for the instrument and 11 sonatas....
Reviewed by Michael Oliver in issue: 12/1993
With Romeo and Juliet, film director Baz Luhrmann displayed a talent for refreshing the classics, which also enhances this Australian...
Reviewed by mscott rohan in issue: 1/2001
This recording, sponsored by Aeromexico to celebrate its fiftieth anniversary, gives Szeryng the opportunity to do something to propagate the...
Reviewed by Lionel Salter in issue: 8/1985
Memoir Classics have produced several attractive anthologies of this kind, and I rather think that the present addition is the...
Reviewed in issue 6/1994
The three major concertante works here reflect in a moving way the strange contradictions in Arnold’s character, the mixture of...
Reviewed by Edward Greenfield in issue: 12/2007
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.