Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is a portrait of a musician who, in the 12 years covered (1960-72), evolved from being a schoolmaster to...
Reviewed by Arnold Whittall in issue: 13/2004
The lusciousness of this issue, recording as well as performance, comes out the more ravishingly in the Compact Disc format....
Reviewed by Edward Greenfield in issue: 7/1983
How ironic that Schubert’s best-loved stage music should be associated with such an absurd farrago as Wilhelmina von ChÈzy’s ìgrand...
Reviewed by Richard Wigmore in issue: 10/2011
Sheer joy, this CD transfer, still the only recording easily available of what is increasingly coming to be regarded as...
Reviewed in issue 1/1989
When Hasse (who had been a pupil of Alessandro Scarlatti) wrote Piramo e Tisbe in 1768, he already had over...
Reviewed by Lionel Salter in issue: 4/1994
This film was made in 1955 but in a style that was already long out of date. The singers act...
Reviewed by John Steane in issue: 8/2009
Virtuoso ease and well modulated, evenly balanced sonorities have always marked Paul Crossley’s way with repertoire that fuses thorny and...
Reviewed by Jed Distler in issue: 13/2008
The last disc devoted to Jacobus Clemens I listened to was The Tallis Scholars’ recording of his Mass Pastores, quidnam...
Reviewed by Fabrice Fitch in issue: 3/2005
Sergei Dukachev’s miscellany clearly aims to show his musical scope and range, whether in the virtuoso ebullience of Beethoven’s Op...
Reviewed by Bryce Morrison in issue: 8/2003
This is the kind of musical meal that any pianist with the imagination and culinary skills of a good chef...
Reviewed by Jeremy Nicholas in issue: 4/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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