Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Richter Edition comprises 21 discs in nine separate slipcased sets. Although the edition is initially only available in its...
Reviewed in issue 8/1994
Supraphon's slim-line CD double-pack features an adequately recorded live concert from the 1992 Prague Spring Festival, complete with applause. However,...
Reviewed in issue 10/1993
This is not so much a CD with an accompanying booklet as the reverse: a hardbound book, disc mounted in...
Reviewed by Michael Oliver in issue: 1/2003
Petrenko’s Shostakovich cycle continues with an account of the First Symphony that appreciates both its mischief and its soulfulness. Superbly...
Reviewed by David Fanning in issue: 6/2011
I wonder if any reviewer will be able to resist quoting from Valery Afanassiev's own sleevenote. Not I. After a...
Reviewed in issue 12/1986
These genial works by a gifted 12-year-old receive warm performances from Chailly. However, my first impression proved a lasting one,...
Reviewed by Christopher Headington in issue: 8/1994
These performances made a favourable impression when I reviewed the LP in 1985 The coupling of Telemann's Concerto in E...
Reviewed by Nicholas Anderson in issue: 10/1988
Avie’s two-CD album celebrates a richly inclusive cross-section ranging from Schumann’s Opp 2 to 82, from early ardour to later...
Reviewed by Bryce Morrison in issue: 3/2004
The Juilliards’ performance of Berg’s Lyric Suite is virtuoso in the fullest sense – in the control of every detail...
Reviewed by John Warrack in issue: 12/1996
These are unfamiliar works and I fear that to me at least they will probably stay that way. Mind you,...
Reviewed in issue 8/1987
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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