Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This anthology of Elgar's sacred music was recorded in Worcester Cathedral and Hyperion's engineers have captured the clarity and warmth...
Reviewed in issue 1/1989
The principal glory of this Prokofiev recital is a masterly account of the Second Sonata. Barry Douglas has the full...
Reviewed by Michael Stewart in issue: 3/1992
Both these sets were much admired here in their LP form, and are very welcome on CD. The Karajan Parsifal...
Reviewed by Alan Blyth in issue: 10/1984
Michael Roll once jokingly remarked that Jorge Bolet did not really get going till he was 60, a reference to...
Reviewed by Richard Osborne in issue: 1/1997
Johann Friedrich Fasch (1688-1758) trained at the Thomasschule in Leipzig under Kuhnau, spent most of his career working as Kapellmeister...
Reviewed by David Vickers in issue: 10/2009
This volume heralds the beginning of the most substantial and ambitious compositional exercise in Bach’s career: an annual series of...
Reviewed by Jonathan Freeman-Attwood in issue: 5/2004
Hans Leo Hassler (c1564-1612) was something of a polymath: organist, polyglot, businessman, builder of mechanical instruments and one of the...
Reviewed by Fabrice Fitch in issue: 11/2011
With one reservation this is a fine account of the Requiem‚ and with its curiously chosen but attractive fillups (even...
Reviewed by kYlzrO1BaC7A in issue: 5/2002
This cycle was commissioned by Duke Albrecht V of Bavaria, a man who in some respects prefigures King Ludwig II....
Reviewed by David Fallows in issue: 3/1987
Robert Ward's The Crucible was warmly received on its first production in New York in 1961, and it has since...
Reviewed by Michael Oliver in issue: 6/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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