Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Milton inconsiderately failed to follow up L'allegro and Il penseroso with another couple of poems called Il collerico and Il...
Reviewed by Michael Oliver in issue: 7/1988
An 18-year-old Chinese pianist, Wen-Yu Shen, strides into the limelight with a début disc of dazzling assurance and poetic conviction....
Reviewed by Bryce Morrison in issue: 6/2004
It is natural that musicians seeking a viable close alternative to Monteverdi’s published Vespers of 1610 should consider appropriate selections...
Reviewed by David Vickers in issue: 9/2011
Iván Fischer nails his very individual colours to the mast from the opening fanfares (horns and bassoons), with tiny rhetorical...
Reviewed by Rob Cowan in issue: 1/2005
This is an opera gala with a difference. Instead of cherry-picking the usual highlights, it gives us arias and duets...
Reviewed in issue 12/1996
Though Bream's successful explorations and expansions of the repertory have been more wide-ranging than those of any other guitarist of...
Reviewed by John Duarte in issue: 7/1992
... a la Duduki (a ‘duduki’ is a Georgian folk-reed instrument) opens to a striking neo-baroque toccata, outspoken music, bright...
Reviewed in issue 1/1999
Furtwangler’s August 1950 Salzburg Festival recreation of the Fifth Brandenburg Concerto is a thing of extraordinary beauty, even though it...
Reviewed by Rob Cowan in issue: 4/2001
Own labels are the order of the day in the CD world and Carl Davis’s is one of the more...
Reviewed by Andrew Lamb in issue: 1/2010
Monteverdi's Sixth Book of Madrigals is dominated by the sadness of separation, whether final and irrevocable as when caused by...
Reviewed by Iain Fenlon in issue: 7/1993
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.