Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
I don't think these CD transfers much alter my opinion of the performances except, if possible, to enhance my liking...
Reviewed by Alan Blyth in issue: 7/1988
Copland’s concise Piano Concerto languished virtually unknown for decades after its 1926 premiere. Then Copland recorded it himself with Bernstein...
Reviewed by Peter Dickinson in issue: 13/2008
Herbert Howells wrote a brief note about his Piano Quartet, slightly defensively justifying his having written such an effusion of...
Reviewed by Michael Oliver in issue: 10/1993
Hubert Foss, surveying the English public in 1949, conceded that it was gradually discovering Vaughan Williams in his old age....
Reviewed in issue 8/1992
The Cantata is an astonishing work for a teenager. Beethoven wrote it in 1790 when he was 19, producing a...
Reviewed by Edward Greenfield in issue: 8/2009
New agreement, new recording…and a new Beethoven cycle, I wonder? If Franz Welser-Möst’s meaty Choral is the first step along...
Reviewed by Rob Cowan in issue: 11/2007
First shown on British TV a Christmas or two ago, this presents an unusual and interesting approach to opera on...
Reviewed by mscott rohan in issue: 4/2004
This is a generous selection (68 minutes) from a sound but hardly inspiring account of an old favourite. With Giulini's...
Reviewed by Alan Blyth in issue: 12/1984
Considering that almost all of Mozart's other orchestral works are available in period-instrument performances, the hugely popular violin concertos have...
Reviewed by Richard Wigmore in issue: 4/1992
Viotti, best known for his violin concertos, wrote a dozen ‘solos’ for violin and continuo in the 1780s, vehicles for...
Reviewed by Stanley Sadie in issue: 2/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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