Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This generous second helping from Christopher Herrick’s complete Buxtehude series features the two-manual instrument designed by Joachim Wagner, the leading...
Reviewed by Malcolm Riley in issue: 2/2010
Following in the footsteps of their excellent Sir Alexander Mackenzie (5/95) and Hamish MacCunn discs (2/96), Hyperion have once again...
Reviewed by Michael Stewart in issue: 11/1996
New recordings of Tallis's remarkable 40-part motet Spem in alium seem to appear at approximately ten-year intervals. First came the...
Reviewed in issue 3/1986
Haydn's Op. 9 String Quartets are commonly regarded (if they're regarded at all) as early works. In fact they date...
Reviewed by Stephen Johnson in issue: 10/1989
Jacqueline du Pré was 20 when she recorded Elgar’s Cello Concerto with Sir John Barbirolli and the LSO in August...
Reviewed by Andrew Farach-Colton in issue: 2/2006
I noted felicitous details in earlier issues in the Segerstam cycle alongside some questionable interpretative touches. This account of the...
Reviewed in issue 3/1993
This companion issue to Emanuel Ax’s outstanding disc of the Second Concerto (6/98) and other concertante pieces similarly offers period...
Reviewed by Edward Greenfield in issue: 7/1999
Two substantial and imaginative settings of words by the eighteenth-century poet, Christopher Smart, frame this rewarding concert from the three...
Reviewed by Andrew Achenbach in issue: 6/1999
These performances, recorded between 1971 (Daphnis et Chloe) and 1976 (Pavane) in the Concertgebouw, are predictably satisfying as orchestral playing...
Reviewed by Christopher Headington in issue: 6/1987
This is the kind of record which might, and should not, go under in the flood: there are so many...
Reviewed in issue 4/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.