Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
An incomplete tape of this recital from the 1953 Salzburg Festival first surfaced and was released by EMI in 1969....
Reviewed by Richard Fairman in issue: 4/2001
Reviewed by David Gutman in issue: 10/2003
How encouraging that John Ireland’s Concerto, premiered at the Proms in 1930, recorded by Eileen Joyce and popular right through...
Reviewed by Peter Dickinson in issue: 9/2007
Choosing what to include on a Bach flute sonatas disc is half the work of making one, as is shown...
Reviewed by Lindsay Kemp in issue: 8/2003
The graphic realism and dramatic subtlety of both these expanded madrigals are given the most incandescent and powerful readings imaginable...
Reviewed by Jonathan Freeman-Attwood in issue: 12/1998
Two eminently serviceable readings of the Second Symphony to join the 30 or more already in the catalogue. Both are...
Reviewed by Robert Layton in issue: 9/1994
Playing and recording that almost completely belie the disc’s price category. The ‘almost’ is Leaper needing to let himself go...
Reviewed by John Steane in issue: 13/1998
Late Beethoven is not for young players, so we’re told; far better to wean yourself on the early works and...
Reviewed by Stephen Johnson in issue: 5/1996
Couperin's Concerts royaux were published in 1722 when they were printed on two staves in the manner of keyboard compositions;...
Reviewed by Nicholas Anderson in issue: 2/1986
These are superlative performances, better even than those by Szeryng on the rival Philips disc. There is not only the...
Reviewed in issue 9/1983
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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