Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
There are now five recordings of Tavener’s The Protecting Veil available on CD – a worthy indication of a contemporary...
Reviewed by Michael Stewart in issue: 2/1999
Apart from the fact that this is simply heavenly singing and the music absolutely divine, there seems no earthly reason...
Reviewed by Marc Rochester in issue: 1/2012
Dittersdorf's Six Symphonies after Ovid's Metamorphoses, written about the time of Haydn's ''Paris'' Symphonies and Mozart's Prague Symphony, are less...
Reviewed by Stanley Sadie in issue: 5/1990
Book 2 of Liszt’s Années de pèlerinage celebrates an impassioned‚ indeed delirious‚ response to Italy’s poetry and art. Both the...
Reviewed in issue 9/2001
In 1968, the composer Robert Caby edited and published a number of Satie’s manuscript sketches and short pieces. He had...
Reviewed by rnichols in issue: 3/2004
No Strauss devotee will need prompting from me to acquire Clemens Krauss's interpretation of Metamorphosen. This elegiac masterpiece came to...
Reviewed in issue 9/1988
Neither of these accounts of Winterreise is the one I would have chosen to represent the respective singer. In the...
Reviewed by Alan Blyth in issue: 2/2003
Pergolesi's setting of the Stabat mater was commissioned, probably by the Neapolitan brotherhood of the Cavalieri della Vergine dei dolori,...
Reviewed by Nicholas Anderson in issue: 2/1990
This is a most encouraging issue. In the wake of BIS’s continuing series of Mozart Camargo Guarnieri’s symphonies, Naxos –...
Reviewed by Guy Rickards in issue: 5/2005
There are for most of us definitive interpretations of familiar works, some of them live, some recorded. We can never...
Reviewed in issue 9/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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