Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The four sonatas here are played clearly and classically and the balance between the instruments is probably as natural as...
Reviewed by Christopher Headington in issue: 9/1989
The CD sound is even more 'squeaky-clean' than that of the LP, the guitars more sharply honed, the castanets (operated...
Reviewed by John Duarte in issue: 8/1985
The Toscanini Beethoven symphonies with the pre-war BBC Symphony Orchestra, together with the Leonore Overture, appeared in a three-LP box...
Reviewed by Robert Layton in issue: 8/1996
This is a brilliant idea for a CD. Composed within a time-frame of 11 years (1917-28), at a similar geographical...
Reviewed by David Fanning in issue: 11/2007
Argerich’s 1994 reading of the Concerto for Piano, Trumpet and Strings is already a benchmark version among modern recordings, complementing...
Reviewed by David Fanning in issue: 11/2007
Of all Offenbach's major collaborations with Meilhac and Halevy, La Perichole is the one that oozes charm. The satirical touch...
Reviewed by Andrew Lamb in issue: 5/1992
Haydn's instrumental concertos represent only a relatively small part of his output, and were mostly written when the composer was...
Reviewed in issue 1/1995
Listening to these fastidious accounts of Walter Piston's chamber music emphasizes the parallels between him and Sir Lennox Berkeley. Both...
Reviewed by Peter Dickinson in issue: 9/1990
It was only a matter of time and exposure before the Barber Violin Concerto finally made it into the popular...
Reviewed by Edward Seckerson in issue: 5/1996
In recent editions of The Classical Catalogue, Jean-Philippe Collard's name has more often emerged in the context of French music...
Reviewed by Joan Chissell in issue: 4/1991
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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