Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
I suggested in my review of Ketil Haugsand’s recording of the Goldbergs that this imaginative Norwegian had thrown down the...
Reviewed by Jonathan Freeman-Attwood in issue: 4/2004
Early-1980s Dutch experimental rock remains curiously under-documented compared to the fanzines-worth of mythology surrounding arch-krautrock outfits such as Can, Faust...
Reviewed by Philip_Clark in issue: 9/2010
These six Decca discs, ‘Britten at Aldeburgh’, follow up the series already issued on the BBC Legends label. All bar...
Reviewed by Edward Greenfield in issue: 8/2000
The names of the composers (and most of their works in this programme) are familiar, but those of the performers...
Reviewed by John Duarte in issue: 7/1993
It isn’t often that pianists produce depth and definition during pianissimo. Michael Endres does. His playing has a precisely judged...
Reviewed in issue 12/2001
Ignaz Moscheles had no illusions as to his place in the pantheon. Writing resignedly at the end of a long...
Reviewed by Jeremy Nicholas in issue: 7/2009
Satie’s humour is too deep to be taken frivolously and I’m happy to say that Yutaka Sado approaches this music...
Reviewed in issue 3/2002
I enjoyed these readings of Bach's six Brandenburgs when I first heard them a couple of years ago. Now the...
Reviewed by Nicholas Anderson in issue: 1/1985
As crossover ideas go‚ the idea of Willard White singing songs of Paul Robeson is an excellent one. Both are‚...
Reviewed in issue 8/2002
In the Viennese (or Salzburg) classical repertoire I've tended to enjoy Harnoncourt most in music of high specific gravity, usually...
Reviewed by Richard Wigmore in issue: 4/1993
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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