Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
La rondine is one of a musical life’s luxuries. It is like working your way lovingly through an outsize bag...
Reviewed by John Steane in issue: 12/2010
One of an impressive crop of thirty-something German Lieder singers, Florian Boesch fields a strong, incisive baritone, with a wide...
Reviewed by Richard Wigmore in issue: 13/2009
This is a lovely, if perhaps predictable, addition to the Prima Voce series, complementing their recital of Farrar in Italian...
Reviewed in issue 1/1996
Two first recordings frame the third volume in Richard Hickox’s Frank Bridge series: the darkly opulent Coronation March of 1911...
Reviewed by Andrew Achenbach in issue: 3/2004
Here is proof, if proof were needed, of the growth and variety of Lieder singers in this country. Of course,...
Reviewed by Alan Blyth in issue: 12/1994
Suzuki’s gradual but assured journey through the complete Bach cantatas continues with the micro-series of works composed in Weimar between...
Reviewed by Jonathan Freeman-Attwood in issue: 8/1998
When reviewing an advance copy of the original LP in April I reiterated the old belief that both sonatas in...
Reviewed by Joan Chissell in issue: 4/1985
Relatively neglected chamber music from St Petersburg is the theme of this nicely assembled, excellently performed disc from the London...
Reviewed by David Fanning in issue: 10/2010
When Krzysztof Penderecki conducted the first complete recording of his Polish Requiem, the soloists were Polish but the orchestra and...
Reviewed by Arnold Whittall in issue: 1/2005
Rossini’s heroines, and in this case a few heroes as well, are notoriously demanding roles. Silvia Tro Santafé began her...
Reviewed by po'connor in issue: 1/2010
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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